第6部分(第2/7 頁)

ured　alittle　by　the　silver　candlesticks。　Between　these　two　extremes；　the　greeting　cards；　received　year　afteryear；　on　Christmas；　or　Easter；　or　birthdays；　trumpeted　their　glad　tidings；　while　the　green　metalserpent；　perpetually　malevolent；　raised　its　head　proudly　in　the　midst　of　these　trophies；　biding　thetime　to　strike。　Against　the　mirror；　like　a　procession；　the　photographs　were　arranged。

These　photographs　ily；　which　seemed　to　feel　that　aphotograph　should　memorate　only　the　most　distant　past。　The　photographs　of　John　and　Roy；and　of　the　two　girls；　which　seemed　to　violate　this　unspoken　law；　served　only　in　fact　to　prove　itmost　iron…hard：　they　had　all　been　taken　in　infancy；　a　time　and　a　condition　that　the　children　couldnot　remember。　John　in　this　photograph　lat　naked　on　a　white　counterpane；　and　people　laughed　andsaid　that　it　was　cunning。　But　John　could　never　look　at　it　without　feeling　shame　and　anger　that　hisnakedness　should　be　here　so　unkindly　revealed。　None　of　the　other　children　was　naked；　no；　Roy　lay　in　the　crib　in　a　white　gown　and　grinned　toothlessly　into　the　camera；　and　Sarah；　somber　at　the　ageof　six　months；　wore　a　white　bon；　and　Ruth　was　held　in　her　mother’s　arms。　When　people　lookedat　these　photograph　and　laughed；　their　laughter　differ　from　the　laughter　with　which　they　greetedthe　naked　John。　For　this　reason；　when　visitors　tried　to　make　advances　to　John　he　was　sullen；　andthey；　feeling　that　for　some　reason　he　disliked　them；　retaliated　by　deciding　that　he　was　a　‘funny’

child。

Among　the　other　photographs　there　was　one　of　Aunt　Florence；　his　father’s　sister；　in　whichher　hair；　in　the　old…fashioned　way；　was　worn　high　and　tied　with　a　ribbon；　she　had　been　very　youngwhen　his　photograph　was　taken；　and　had　just　e　North。　Sometimes；　when　she　came　to　visit；　shecalled　t