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umed with a desire for foreign travel; an impatience of everything familiar fretted me through all the changing year。 If I had not at length found the opportunity to escape; if I had not seen the landscapes for which my soul longed; I think I must have moped to death。 Few men; assuredly; have enjoyed such wanderings more than I; and few men revive them in memory with a richer delight or deeper longing。 But… …whatever temptation es to me in mellow autumn; when I think of the grape and of the olive……I do not believe I shall ever again cross the sea。 What remains to me of life and of energy is far too little for the enjoyment of all I know; and all I wish to know; of this dear island。
As a child I used to sleep in a room hung round with prints after English landscape painters……those steel engravings so mon half a century ago; which bore the legend; 〃From the picture in the Vernon Gallery。〃 Far more than I knew at the time; these pictures impressed me; I gazed and gazed at them; with that fixed attention of a child which is half curiosity; half reverie; till every line of them was fixed in my mind; at this moment I see the black…and…white landscapes as if they were hanging on the wall before me; and I have often thought that this early training of the imagination……for such it was……has much to do with the passionate love of rural scenery which lurked within me even when I did not recognize it; and which now for many a year has been one of the emotions directing my life。 Perhaps; too; that early memory explains why I love a good black… and…white print even more than a good painting。 And……to draw yet another inference……here may be a reason for the fact that; through my youth and early manhood; I found more pleasure in Nature as represented by art than in Nature herself。
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