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laway。 。 。 。 It is worth an infinite number of Cleopatras; partly because you are at home in the North。 I wouldn’t let anyone peddle it about; or show people; but stick to someone like Longman; if it were mine。
And again:
I suppose Ingram must see it;17; but I wish it could appear tomorrow in a book。 parisons are odious; and I understand your preferring “Cleopatra。” People inevitably prefer what gives them most serious labour。 But it’s a natural gift that really does the trick。 I bet a pound George Eliot preferred “Romola” and “Daniel Deronda” to “Scenes of Clerical Life。” I have a hideous conscience which knows that a ballad or a leading article are the best things I’ve done; though I’d prefer to prefer “Helen of Troy。” But she’s a bandbox。
17 From the Illustrated London News。 — Ed。
The last letter that I can find of Lang’s which has to do with “Eric Brighteyes” was evidently written in answer to one from myself in which I must have shown depression at certain criticisms that he made verbally or otherwise upon the book。
Bosh! It is a rattling good story! But I am trying to read it as critically as I can; and I am rather fresh from saga…reading。 This makes me see more clearly than other people the immense difficulty in bining a saga with a story of love; which; except in the “Volsunga;” where the man was one of the foremost geniuses in the world; they never attempted。 Other people won’t read it like that; and it is not right that it should be read in that way。 Done in my way it would be rather pedantry than literature; but I am a born pedant。 It is chock full of things nobody else could have done: indeed nobody else could have done any of it。 The Saevuna part is excellent: I only doubted whether; for effect; her cursing speech should n
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