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e peculiar light of the candles—I would occasionally cry out
in admiration; whereupon Black and the dwarf would rush to my side and
look over my shoulder at the magnificent page before me。 Unable to restrain
myself; I’d begin to explain:
“This color red belongs to the great master Mirza Baba Imami from Tabriz;
the secret of which he took with him to the grave。 He’s used it for the edges of
the carpet; the red of Alevi allegiance on the Persian Shah’s turban; and look;
it’s here on the belly of the lion on this page and on this pretty boy’s caftan。
Allah never directly revealed this fine red except when He let the blood of his
subjects flow。 So that we might wearily strive to find this variety of red that is
only visible to the naked eye on man…made cloth and in the pictures of the
greatest of masters; God did; however; consign its secret to the rarest of insects
living beneath stones;” I said and added; “Thanks be to Him who has now
revealed it to us。”
“Look at this;” I said much later; once again unable to refrain from showing
them a masterpiece—this one could’ve belonged in any collection of ghazals;
which spoke of love; friendship; spring and happiness。 We looked at the trees
of springtime blooming in an array of color; the cypresses in a garden
reminiscent of Heaven and the elation of the beloveds reclining in that garden
as they drank wine and recited poetry; it was as if we in the moldy; dusty and
icy Treasury could also smell those spring blossoms and the delicately scented
skin of the joyous revelers。 “Notice how the same artist who rendered the
for
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