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agine how each of
them grew frightened and succumbed to suspicions as I myself had。 Because
one of their lot was cornered; in the middle of the night; by Elegant Effendi—
who had incited him against you; us; our book; as well as against illustrating;
painting and all else we believe in—that artist fell into a panic; killing that
scoundrel and tossing his body into a well。”
“Scoundrel?”
“Elegant Effendi was an ill…natured; ill…bred traitor。 Villain!” I shouted as if
he were before me in the room。
Silence。 Did he fear me? I was afraid of myself。 It was as if I’d succumbed to
somebody else’s will and thoughts; yet; this was not wholly unpleasant。
“Who was this miniaturist who fell into a panic like you and the illustrator
from Isfahan? Who killed him?”
“I don’t know;” I said。
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Yet I wanted him to infer from my expression that I was lying。 I realized that
I’d made a grave error in ing here; but I wasn’t going to succumb to
feelings of guilt and regret。 I could see that Enishte Effendi was growing
suspicious of me and this pleased and fortified me。 If he became convinced
that I was a murderer and this knowledge struck terror throughout his soul;
then he wouldn’t dare refuse to show me the final painting。 I was so curious
about that picture; not because of any sin I’d mitted on its account—I
genuinely wanted to see how it’d turned out。
“Is it important who killed that miscreant?” I said。 “Is it not possible that
whoever rid us of him has done a good deed?”
I was encouraged when I saw he could no longer look me directly in the eye。
M
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