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d very hard to imagine the magnificent pictures

created by these celebrated illustrators; who were; as my Enishte explained;

inspired by the power of the world’s mystery and its visible blackness。 I tried

so hard to visualize them—those masterpieces my Enishte had seen and was

now attempting to describe to one who had never laid eyes on them—that;

finally; when my imagination failed me; I felt only more dejected and

demeaned。

I looked up to discover that Shevket was before me again。 He approached

me decisively; and I assumed—as was customary for the oldest male child

among certain Arab tribes in Transoxiana and among Circassian tribes in the

Caucasus mountains—that he would not only kiss a guest’s hand at the

beginning of a visit; but also when that guest left。 Caught off guard; I

presented my hand for him to kiss。 At that moment; from somewhere not too

far away; I heard her laughter。 Was she laughing at me? I became flustered and

to remedy the situation; I grabbed Shevket and kissed him on both cheeks as

though this were what was really expected of me。 Then I smiled at my Enishte

129

as though to apologize for interrupting him and to assure him that I meant no

disrespect; while carefully drawing the child near to check whether he bore his

mother’s scent。 By the time I understood that the boy had placed a crumpled

scrap of paper into my hand; he’d long since turned his back and walked some

distance toward the door。

I clutched the scrap of paper in my fist like a jewel。 And when I understood

that this was a note from Shekure; out of elat

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一世長安之海蘭珠權少,一吻成癮溫柔的虐愛我怎麼會不要你花弦月 第二卷至尊小神醫
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